We use Waves’ OVox to turn a UK garage beat into a melodic line, harnessing the power of both its synthesis and melody-generating capabilities.

In this Synth Secrets, we’ll be taking a look at some 808 sound design using Sublab from Future Audio…

Waves’ new sampler CR8 supports multiple sample layers. Let’s use it to build up a gorgeous pad with plenty of movement and character.

In this Synth Secrets, we’ll build a growling, pulsating drum and bass bassline inspired by Kings of the Rollers…

We use Moog’s Minitaur to make basslines for techno, house and bass music tracks.

Moog’s latest app Animoog Z is deep, combining wavetable and vector synthesis in a 3D environment. We show you how to synthesize a shifting and evolving pad sound.

In this Synth Secrets, we show you how to create an analogue bassline inspired by Trans-X’s synth-pop classic, ‘Living On Video’.

In this Synth Secrets, we’re going to use Ableton Wavetable to show you how to create morphing arpeggios. We…

In this Synth Secrets, we’ll build a thick, dusty bass lifted from an undisputed classic, Boards of Canada’s…

We use the onboard sequencer on the desktop model of IK Multimedia’s UNO Synth Pro to quickly whip up three house and techno basslines.

In this Synth Secrets, we show you how to craft a bass sound that will both devastate dance floors and guide ships through a foggy harbour.

Restricting yourself to one synth can be a great way to improve your synthesis chops. We use a Moog Grandmother and Ableton Live to build up an ambient song piece by piece.

We show you how to make a gritty lo-fi analogue synth lead in the style of Mac DeMarco.

The pads in 808 State’s genre-defining ‘Pacific State’ are no doubt at the top of the list of the most iconic sounds in dance music. In this Synth Secrets, we replicate the Mancunian quartet’s synthesis secrets.

In this installment of Synth Secrets, we use the third and latest version of Arturia’s Pigments synth to build a pre-drop riser full of movement, automation, textures and effects.

We go back to the ‘80s and synthesize some polysynth licks inspired by post-disco heat from Larry Levan and the New York underground.