Columns
Rage First, Questions Later…
Harold Heath wonders if he would have got away with it…
Columns
Here’s a question for you: when is a polyphonic synth not a polyphonic synth? Answer: when it’s a…
Columns
Gregory Scott marvels at the moment of clarity that occurs when you play a track to someone for the first…
Columns
Can studying your audience help the music you make relate on a deeper level? In his own words, Boxia reveals…
Columns
Like it or loathe it, A.I. is here to stay. Chandler Shortlidge looks at how this is going to…
Columns
Yes, saturation is a pleasing mix colouring tool, writes Gregory Scott, but its real genius is its ability to craft…
Columns
Thomas Cox questions whether our obsession with expensive production tools is in danger of overshadowing the more important issues of…
Columns
If our scene is going to continue evolving, we need to be ready to look for great ideas everywhere. Not…
Columns
Thomas Cox explores the wonderful world of modern electronic instruments.…
Columns
Our new regular columnist Thomas Cox introduces himself and sets out his manifesto for this column: an honest, no-holds…
Columns
Has dance music coverage lost its critical voice? Thomas Cox argues that criticism is a much-needed constructive force.…
Columns
“It’s the public who end up paying the price, putting money and faith behind artists who are liberally taking…
Columns
Kush Audio guru Gregory Scott addresses the most common misconceptions about compression.…
Columns
Thomas Cox explores the problems with the growing influence of festivals and argues that we should choose to attend events…
Columns
As producers we have no control over when studio magic happens, writes Gregory Scott. All we can do is turn…
Columns
Thomas Cox argues that amateurism on multiple levels within the dance music industry traps us in a harmful cycle.…
Columns
Mix brash, mix cheesy, mix bold or mix beautiful… mix however you like, but don’t mix ignorable, writes Gregory…
Columns
Can you own the feeling of a track? Thomas Cox argues that dance music needs to define its own understanding…
Columns
In the first of a new series, engineer, producer and Kush Audio owner Gregory Scott waxes lyrical over one of…
Check back soon…
Attack Magazine is funded by advertising revenue. To help support our original content, please consider whitelisting Attack in your ad blocker software.
xThis website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.