Columns
How the DFAM Changed My Modular Life
Darren Selement reveals how Moog’s Drummer From Another Mother changed his life.…
Columns
Columns
Florian Schneider – Music Revolutionary
As a co-founder and key member of German electronic music group Kraftwerk, Florian Schneider changed the sound and the…
Columns
Bohannon: Disco Disciple & House Precursor
Drummer and bandleader Hamilton Bohannon passed away last month. We take a look at his work and contribution to the…
Columns
Streaming Won’t Kill DJing, But It Might Just Create DJ Ghosts
Harold Heath makes the case that “streaming won’t kill the DJ star”.…
Columns
2020 Manifesto
With all the recent talk of political manifestos, we got to thinking about what an ideal dance music scene might…
Columns
Mike Huckaby: Ten Finest Musical Moments
Through the sadness of losing Mike Huckaby, we can take solace in the musical gifts he left for us. …
Columns
Dancing: Schrödinger’s Cliche
Harold Heath takes another look at the ‘people-don’t-dance-anymore-they-just-stand-watching-the DJ’ discourse.…
Columns
Charity and Sabotage: Dance Music Twitter 2019
From business techno to rudeboy techno. From Aphex Twin to Midland. And from Beatport Link to rewinds, Harold Heath sums…
Columns
Book Smarts: We Pick Our Favourite Dance / Electronic Music Books
If you’ve got a bit of time at the moment there are some superb DJing and dance/electronic music…
Columns
When is a polyphonic synth not a polyphonic synth?
Here’s a question for you: when is a polyphonic synth not a polyphonic synth? Answer: when it’s a…
Columns
Session Victims: Musicians in Dance Music
There’s been plenty of discourse around the impact of digital technology on DJs and producers, but what about musicians…
Columns
Boxia: Life on the Dancefloor
Can studying your audience help the music you make relate on a deeper level? In his own words, Boxia reveals…
Columns
Gregory Scott’s Kush Cafe: How to Hear Everything Differently, Instantly
Gregory Scott marvels at the moment of clarity that occurs when you play a track to someone for the first…
Columns
Gregory Scott’s Kush Cafe: Saturation is the new black
Yes, saturation is a pleasing mix colouring tool, writes Gregory Scott, but its real genius is its ability to craft…
Columns
Are You Ready For The Robot DJ Revolution?
Like it or loathe it, A.I. is here to stay. Chandler Shortlidge looks at how this is going to…
Columns
Snobbery Kills: Why Elitism in Music Can Stifle Creativity
If our scene is going to continue evolving, we need to be ready to look for great ideas everywhere. Not…
Columns
Thomas Cox: The Gear Myth
Thomas Cox questions whether our obsession with expensive production tools is in danger of overshadowing the more important issues of…
Columns
Thomas Cox: Pulling No Punches
Our new regular columnist Thomas Cox introduces himself and sets out his manifesto for this column: an honest, no-holds…
Columns
Thomas Cox: Back To The Future
Thomas Cox explores the wonderful world of modern electronic instruments.…
Columns
Thomas Cox: Constructive Criticism
Has dance music coverage lost its critical voice? Thomas Cox argues that criticism is a much-needed constructive force.…
Columns
Do Good Artists Copy? Plagiarism In Dance Music
“It’s the public who end up paying the price, putting money and faith behind artists who are liberally taking…
Columns
Gregory Scott: Demolishing The Myths Of Compression
Kush Audio guru Gregory Scott addresses the most common misconceptions about compression.…
Columns
Thomas Cox: Should We Be So Festive?
Thomas Cox explores the problems with the growing influence of festivals and argues that we should choose to attend events…
