There’s a whole language of coded terms used by DJs but fortunately there are new technological solutions that can…

Harold Heath makes the case that “streaming won’t kill the DJ star”.…

With all the recent talk of political manifestos, we got to thinking about what an ideal dance music scene might…

From business techno to rudeboy techno. From Aphex Twin to Midland. And from Beatport Link to rewinds, Harold Heath sums…

Harold Heath wonders if he would have got away with it…

There’s been plenty of discourse around the impact of digital technology on DJs and producers, but what about musicians…

Can studying your audience help the music you make relate on a deeper level? In his own words, Boxia reveals…

Like it or loathe it, A.I. is here to stay. Chandler Shortlidge looks at how this is going to…

If our scene is going to continue evolving, we need to be ready to look for great ideas everywhere. Not…

Thomas Cox explores the wonderful world of modern electronic instruments.…

Has dance music coverage lost its critical voice? Thomas Cox argues that criticism is a much-needed constructive force.…

“It’s the public who end up paying the price, putting money and faith behind artists who are liberally taking…

Kush Audio guru Gregory Scott addresses the most common misconceptions about compression.…

Thomas Cox explores the problems with the growing influence of festivals and argues that we should choose to attend events…

As producers we have no control over when studio magic happens, writes Gregory Scott. All we can do is turn…

Thomas Cox argues that amateurism on multiple levels within the dance music industry traps us in a harmful cycle.…