Prepare for a few controversial decisions as we run down our list of the best drum machines of all time.

9 – Korg Mini Pops 12o

Released: 1976
Original RRP: $600 (around £340)
Current price: £100-250

The Korg Mini Pops 120 (also known as the Univox SR-120) was the last and most advanced in the Mini Pops series of solid-state rhythm units created by Korg in the late ’60s and ’70s and the precursor to the more advanced KR-55 that would follow in ’79.

Like many drum machines of the era, the Mini Pops machines were aimed at touring musicians and organists to whom they provided a backbeat to play along with. As such the 120 was housed in a tasteful cabinet – either a Tolex road case or a wooden chassis depending on preference – for added durability and, one would assume, a certain corduroy-brown visual appeal.

Featuring just six analogue sounds and 16 rhythm presets (plus variations and fills), the Mini Pops’ abilities were limited, with no ability to either create or store your own beats.

But the sound was – in its own raw and often whimsical way – rather nice, with a wonderfully flabby kick drum and whacked-out snare that have made it something of a niche favourite among nostalgic dub, downtempo and experimental producers including Air and Kraftwerk.

Not bad for a machine that might otherwise have slipped slowly, if gracefully, into rhythmic obscurity.

 

Comments

  • Good list. Not sure about the 909 in bronze medal position tho ;-0 Learned a few things I didn’t know from this list.

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  • The Roland TR-909 is a real classic. It’s the probably most overused Drum
    Machine in history of electronic Music. In the 90′s, it was hard to get some Techno Music without sounds of this Monster from 1983.

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  • there should definitely have been at least one Akai MPC in there!

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  • @jamnlewis

    Er… MPCs aren’t drum machines.

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  • I own the Elektron Machinedrum and it rocks !

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  • No Sp 1200? Countless, undeniable classics were done on that alone in the Hip Hop world. Solid list though

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  • @Cliff… Mentioned on page 3… “Although not around long enough to generate a huge user base, its younger and similar-sounding brother, the SP-1200, can claim fans and users among a host of electronic music luminaries from Daft Punk and the Prodigy to Todd Terry, the Beastie Boys and the Wu Tang Clan’s RZA.”

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  • Lm-1 is missing!!! His many hit records did and does it have ! From prince to Jackson , Genesis, kraftwerk.,,

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  • The 707 is awesome.

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  • seriously guys Plastik man?? you couldn’t put cybotron’s clear or Beastie’s Paul Revere or an awesome use of 808 in a song? LOL

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  • great job by the way David…there are a TON of ultra important drum machines…in terms of the musical landscape….but these are the most well known..

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  • Hi

    Nice to see brand like plaia i did not know,
    But where is the drumtracks from sequential circuits?

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  • NINEHUNDREDANDNINE !

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  • The Oberheim DMX/DX drum machines used 8 bit samples, not 12 bit!

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  • Dennis, you’re right. We’ve phrased that badly. The DMX/DX samples are stored at 8-bit but are processed using a compander algorithm to achieve a resolution roughly equivalent to 12-bit. We’ve edited it to clarify.

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  • I’m surprised that Korg DDD-1 didn’t even get honorable mention. It was a great sounding, affordably priced drum machine, that even had a sampling option.

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  • Can someone please help me name a drum synth I bought in the early 1980’s (it’s driving me mad trying to remember it). It was a pretty tacky pre-MIDI analogue drum machine with four small hand-triggered pads (kick, snare & two toms). It had a couple of brass coloured buttons for cymbals. Several pots for tone or tuning (I think). The only automated thing was the hi-hat. I think it was generally silver & brown. And no, it wasn’t Mattel. Can’t find anything resembling it on the net. Cheers.

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  • Sounds like MPC Electronics’ The Kit to us.

    http://www.troperecordings.de/wp-content/uploads/2011/07/MPC-THE-KIT.jpg

    Is that the one?

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  • Yes! Thanks very much. Weirdly, I’ve just stumbled across it here too: http://www.synthmuseum.com/mpc/mpckit01.html. Phew! :)

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  • You did bad research. Sorry to say that. You missed the best one…
    Yamaha RY30 in conjunction with
    RSC3071 DAVE WECKL
    RSC3072 TOMMY ALDRIDGE
    RSC3073 MATT SORUM
    RSC3074 PETER ERSKINE
    “The ARTIST SERIES feature samples of the artist at his
    Yamaha Drum kit with a song and patterns by that artist triggering
    an RY30. Using the patterns done by the artist is literally ´like
    getting Dave Weckl or Tommy Alderidge to play on your tune´.
    The patterns can be freely cut and pasted and altered to the users
    delight.”
    —-Phil Clendeninn, Yamaha product marketing specialist
    http://www.synthzone.com/midi/yamaha/ry30/RY30TIPS.TXT

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  • @first and last and always

    MPCs are drum machines. Not synth drum machines, but sampling drum machines. Still, a drum machine. And I agree at least one should have made it. I’d choose the MPC60 or my all-time fave MPC3000.

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  • I dont know where you guys get those prices,maybe you could tell me,a 909 actually dont go for less than £2 K easy.in 2010 was possible to get a kicked one for around £1100 but not anymore.

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  • Spot on most people have no idea how much these machines were used in their heyday! There was some pretty tasty programming going on I bet most people today upon hearing would think was a real drummer. I’m referring to the DMX and Linn Drum in particular. I have a DMX which was the 80’s electro funk AKA Boogie machine!

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  • “Spastik” sounds more like a 606 to me. But it’s modded and eq’d and not a great example of the sound anyway. I’m frowning atcha.

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  • No space for jomox or vermona? Where is the dynacord addone addrive? Prices are all wrong by about £500

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  • I am shocked no MPC made it on this list.

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  • I think the best drum Machine or workstation ever created is the Yamaha motif brand. We have three in our studio in Los Angeles. Hands down nothing sounds better. http://www.edrcstudio.com

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  • The Univox SR-120 has a hidden “feature.” You can press down multiple beat buttons at once (with some fennes get them to stay), allowing beats to be mixed, or superimposed, in bizarre and fantastic ways!
    Here are the insides, aren’t they beautiful!?
    https://lh6.googleusercontent.com/-Bi7z6u8qjEw/Tikp5tboypI/AAAAAAABHZc/LAeIqSdnvhM/w958-h719-no/IMGP6373.JPG

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  • I don’t think that the Machinedrum is a classic! Put on MPC, much classier :-)

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  • The SCI Drumtraks is missing – used by Prince almost as much as the Linndrum :)

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  • My DX sounds nothing like on those records.

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  • No Roland R8 or 606 but a PIA???… The knife of Autechre first albums!!!

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  • I am proud to say I still have the HR-16B, TR-909 & TR-808.
    I had to brag. lol
    And I agree with others… the Plastikman track is no way an 808 but a watered down 909. It’s a very annoying track if you ask me. Ack…

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  • As said above, “Spastik” by Plastikman is apparently a TR 606 Drumatix machine, together with a TR 909.
    Bambaata’s “Planet Rock” or Hashim’s “Al Naafyish” would be good examples of pioneering 808 use, though.

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  • Would have loved to see the DDD-7 make the list. Still looking for samples on the net. Really crisp highs and punchy mids.

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