With Spotify’s new policy of demonetizing all tracks with under 1,000 streams, Attack has launched a playlist to help bring attention to music not getting heard.
When Spotify announced its new demonetization policy on April 1st, it seemed like an April Fool’s stunt. But it isn’t, and the streaming behemoth had already demonetized all tracks under 1,000 streams.
In a statement, the company announced the decision following a report published last year titled Modernising our royalty system. The report outlines that 99.5% of all streams on the platform “are of tracks that have above 1,000 streams.”
Amongst other changes published in the statement, the amendment to the streaming payout threshold follows on the back of fraudulent activity, especially those uploading white noise or nature sound. Whereas royalties would be paid on 30 seconds of play, now they require two minutes. You can read the full Spotify statement here.
Many may perceive this change as further stacking the odds against them, making the already challenging process of being heard even tougher. However, we’re committed to making a positive impact despite these challenges
We have made a Spotify playlist, ‘Tunes Under 1000 Plays That Need To Be Heard,’ to which we will add tracks we like, especially electronic music. We will continue to share the playlist as long as possible. We want to use our reach to help new artists get heard, but as we have seen over the past week, we are also seeing other artists discover each other – which is great.
If you want to submit a track, there are some submission guidelines below:
- Please, no full albums’ or EPs. We do not have the resources to go through so much music.
- We will prioritize electronic music as that’s what we’re about.
- Please send only 1 or 2 tracks, maximum, as a Spotify link.
- Please try to ensure it’s under 1,000 plays.
- Please only DM use the contact form – we can’t keep up with submissions on multiple platforms.
IMPORTANT – PLEASE READ
We know that some people’s music submitted to the Attack playlist, via Distrokid in particular, ends up on a playlist unaffiliated with Attack. It’s called Onlyhits 2024.
In some cases, it receives a lot of plays from ‘artificial streams’ and is then removed by Spotify.
Attack is not affiliated with Onlyhits 2024, Spotify or DistoKid and has nothing to do with these takedowns! We will try to open a conversation with Spotify and Distrokid and attempt to stop it from happening.
Lastly, we regret that we can’t respond to every submission. But do check the playlist or save it on Spotify, as it will be updated regularly for the time being.
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02.04 PM
Hello, Attak Magazine Team!
I’m reaching out to share the announcement of a new release from the New Tone Academy Records: Poity, VodomiroV, Louf — Loving Heart (Louf Remix)
You’ll find more details in the attached press kit: https://drive.google.com/file/d/1FeQr39pO8C99TvvUZYfOPtQ1v4ikmKQU/view?usp=sharing
Louf, an Ableton Live instructor and professional in sound design, would be delighted to open up his London studio, break down his “Loving Heart Remix” project, and share his production tips and tricks with the Attak Magazine audience—perhaps as part of a video for their YouTube channel.
I’d be happy to answer any questions or provide additional materials upon request.
12.08 PM
Hey attackmag,
is it still possible to submit tracks for the playlist ‘Tunes Under 1000 Plays That Need To Be Heard’?
Would love to be featured:)
Thank you
05.59 PM
Hello Attack Magazine team,
First of all, thank you for the incredible work you do. Your articles and especially the “Secrets of Techno Production” series are an outstanding resource for electronic music producers.
I’m writing because I wanted to ask whether you have ever considered publishing this series in Spanish, or making an official translated edition available. There is a very large and active Spanish-speaking community of techno producers, both in Spain and across Latin America, and I believe there would be strong interest in accessing this content in their native language.
From a reader’s perspective, it feels like it could be both culturally valuable and potentially viable from a business standpoint, given the size of the market and the popularity of your material within the global techno scene.
Thank you for taking the time to read this, and congratulations again for the quality and depth of your publication.
Best regards,
Alex